"this album will satiate the outsider demands of old heads and provide a gateway to the counter cultural sounds of fifty or sixty years ago for a new generation"

"The playing is pleasingly minimal and melodically ambiguous, always stopping just short of tired old tropes or overly familiar progressions"

"strings float in and out of the soundscape adding a hint of heart wrenching melancholy to the warm guitar layers that evoke simpler Southern lifestyles"

"And so the song continues for six, all too short minutes, a heart wrenching window into Ellis' childhood and his gospel and jazz roots."

"the most spiritual jazz sound bath since Alice Coltrane’s ashram years. It’s a deep, meaningful listen, pull up a chair."

"sounds that ricochet around the soundscape with the deconstructed violin and piano of the original before fading to whisper"

"The riddims are proper hip worriers, the lyrics worth repeating and Warzou takes us on a back to the future trip down jungle memory lane"

Alyas is an ambient hobbiest from Sweden, and for a part-timer he's been transmitting an impressive stream of calming etherealism for an...

"And so the song continues in lovely dreamy fashion, the instrumentation and voice gently swirling around each other before melting into the slide augmented, ambient cushion. "

"a group of working musicians ploughing traditional and alternative furrows in more rural communities. To be honest I never even knew that white gospel was even a thing"

"constructing a barrage of polyrhythmic percussion and layering the highly flammable rhythms with deviant dark room rave primed electronica and low frequency pressure,"

"Barely raising a decibel for the best part of two minutes, “Sei’s”introduction gives you ample time to savour every note, word and chirp before it slowly blooms into another thoughtful, blissful piano meditation."

It's a simple, seductive slice of dreamy ambient guitar, and further confirmation that wherever he is, ambient is what he does best.

marrying decades and melting hearts as the succinct production and pop purity drifts through the speakers, immediately leapfrogging her overproduced peers

"the drums tighten and snap, the vocals chopped like chicken by the razor edged synths and there's even some D&B nods for those that know"

"they geeked out and hit it off over music, a keen interest in coding languages, digital synthesis and electronically assisted genre fluidity, which they've translated into some thoughtful, seriously crafted alternative music. I like them."

"inspired by mid-1980s Japanese new age and ambient music, otherwise known as kankyō ongaku (environmental music), and less directly by vintage Italian experimental music"

a gentle, graceful and ever so lovely ambient neoclassical arrangement that should be on every introvert's contemplation playlist.

"It's as good a slice of oh so nice nu-soul as you'll hear this year. Now for that album."

"the boys get busy with some melancholic lone riding Americana, which then proceeds to flirt shamelessly between spaghetti western soundtrack and thinking rather than head banging rock."

" It's a beguiling, beautiful and far out slice of cosmic dream pop and boding very well for Myth of Tomorrow, her forthcoming album."

"It’s a painstakingly constructed soundscape with a childlike playfullness to it and a soothing method to its minutai laden madness"

Schalda singing the track's title is the first thing you'll hear upon hitting play, and once heard it will probably be the last thing you hear before you go to bed

"Kouhei naturally uses a more acoustic, percussive sound palette of mini-rattles, quick shakes and one hit wonders, the compositions are equally as far-out"