"It’s a curious, comforting listen and highly recommended."

"Same, same but different and a cultured, curious but slightly less meandering, more immediate take on the sprawling original whilst retaining its charm, just what a good remix should do."

"controllers strewn across the floor, broken strings tangled around mic stands and her exhausted face reflected in the now cracked mirror."

"balances Dalt’s stubborn experimentalism with a more accessible pop sheen, but ultimately it’s a triumph for perseverance and time honing her studio and song craft"

"constructing a barrage of polyrhythmic percussion and layering the highly flammable rhythms with deviant dark room rave primed electronica and low frequency pressure,"

"the boys get busy with some melancholic lone riding Americana, which then proceeds to flirt shamelessly between spaghetti western soundtrack and thinking rather than head banging rock."

"this album, recorded between the Tunefork studio in Beirut and Tohme's home in the Lebanese mountains, is a perfect melting pot of rural, urban, traditional and innovative."

"unidentified samples and odd machine noises pepper the recording, making the mildly dissonant piano sound positively melodic."

"This is a heavy album, but what would you expect from a recording utilising Tunefork Studios in Beirut as a conduit to remotely unite these artists during the Israeli aggression/response (delete as applicable)"

insistent acoustic motifs twist in on themselves, hypnotising all those within earshot before fading out to let the drone have its moment in the sun and show off it's lysergic charm.

the EP opening track's mimnimal piano is blended with a field recording of what sounds like an evangelical sermon and reversed sounds, so keep an open mind.

The album flirts shamelessly with multiple ambient adjacent genres, exploring a shadow world where belief system energy ripples collide and swirl.

It might sound like a lot but it works in a waywardly waltzing, cutely quirky, weirdly wobbly way, and I'm here for it.

the live recordings again snipped, shaped, twisted and turned into sonic collage suitable scraps ready for the mother of all production efforts

This is a hell of an audio visual production that only really makes sense when it's seen and heard. It looks like Adam Curtis might just have some competition from this family in Colorado.

Fuubutsushi were born in the lockdowns during the age of virus and were an instant TSMM fave, setting the bar for remote recording projects during the period.

her music is restless and hard to pin down, veering from minimal piano to club ready beats and all sorts of ambient experiments.

The track is a singular abstract jazz soundscape that sounds like a Sam Gendel and Joseph Shabason love child, and you shouldn't need much more encouragement to take a listen than that.

Medieval abbess, theologian, mystic, polymath and 12th century composer Hildegard von Bingen, and highlight how timeless and useful her ideas and techniques still are

All is not lost but time is fast running out. The revolution will not be televised but there is strength in numbers and the music is better in the resistance.

The Slow Music Movement Radio Show is back after a seven month hiatus, and about time too....

It's a cosmic, questioning blend of woman and machine, past and present, real and imagined from this curious, boundary nudging soul

a start to finish listen both vocally & musically, with the vibes & vision tuned in that much tighter to Holley’s singular, on point lyrics

It’s a whimsical collection of experimental guitar and a great introduction to this laid back, boundary reshaping guitarist and producer.