"it always amazes me how such cohesive arrangements can be collaged from such shattered sonics"

"There’s the shimmering transcendence of “Lost to Follow”, the Cafe del Mar like mantric looping and politely insistent guitar motifs on “Collapsing the Vanguard"

"The synth pads are familiar but rather than sounding generic the main refrain just sounds blissful and balmy"

"musings on vileness that espouse kindness and a philosophical finger picked approach to the dissolution of decency, tolerance, understanding, truth and democracy"

the track has been reincarnated and is having a more serene existence this time round, and when it sounds this nice that's OK.

"a simple yet supremely satisfying bed of low frequency adjacent drones, sound elongations & minor sonic detailing that radiates a low lit warmth"

"the increasingly psychedelic sounds, and probably a few pheromone's, swirling around the room"

" I’ve had so many WTF moments from the label over the years it would be remiss not to bring the imprint to your attention."

"there's an uncompromising tone and serious intent to the soft edged delivery and you suspect you're going to be in for a treat, confirmed by the downtempo, post punkish dub bassline"

"there is an unpolished candour throughout the album, the antithesis of LA’s studio botox, photoshopped press shots and social media neediness"

"the song doesn't waste any time getting straight into an easy, breezy yacht rocking groove that suggests the late seventies never went away"

"controllers strewn across the floor, broken strings tangled around mic stands and her exhausted face reflected in the now cracked mirror."

"late night, big city tower block electronica drenched in pleasing distortion and static, coupled with a flickering fluorescent lit ambience"

"balances Dalt’s stubborn experimentalism with a more accessible pop sheen, but ultimately it’s a triumph for perseverance and time honing her studio and song craft"

"A lo-fi pop haze of field recordings, ambient electronics and a low key moody guitar motif gets the track rolling, setting a suitably opiated vibe for Lindh's hushed vocals"

"worked on stripping down the sound without sacrificing the message or artistic vision, and only gone and made a genuine alt-pop album"

"Equilibrium continues her artisinal analogue approach - no AI, no samples, no arpeggiators, no software instruments - a hand built labor of love."

"a surprising take on Bowie's, "China Girl", a gentle singer songwriter morphing into howling post-rock version of the now somewhat dated 80's pop classic."

"Lovely all-rounder album on a mellow, lo-fi, slacker-balearic tip."

"As the title suggests the track looks to the East, stopping off in India on the way and audaciously even drops in a flamenco flourish and a bit of Americana twang"

"an admirable attempt to map the gentler paths that snake through the ambient, new age and modern classical multiverses"

"a throwback, modern soul banger with all the deepness of those golden age classics, and something of the Normal Whitfield to it"

"Elsewhere showing her vocal versatility by switching between tower block spitting and dream soul, both styles effortlessly riding the broken beats and late night mood."

"this album will satiate the outsider demands of old heads and provide a gateway to the counter cultural sounds of fifty or sixty years ago for a new generation"