"The synth pads are familiar but rather than sounding generic the main refrain just sounds blissful and balmy"

the track has been reincarnated and is having a more serene existence this time round, and when it sounds this nice that's OK.

"late night, big city tower block electronica drenched in pleasing distortion and static, coupled with a flickering fluorescent lit ambience"

"balances Dalt’s stubborn experimentalism with a more accessible pop sheen, but ultimately it’s a triumph for perseverance and time honing her studio and song craft"

"Equilibrium continues her artisinal analogue approach - no AI, no samples, no arpeggiators, no software instruments - a hand built labor of love."

"Elsewhere showing her vocal versatility by switching between tower block spitting and dream soul, both styles effortlessly riding the broken beats and late night mood."

"Barely raising a decibel for the best part of two minutes, “Sei’s”introduction gives you ample time to savour every note, word and chirp before it slowly blooms into another thoughtful, blissful piano meditation."

"they geeked out and hit it off over music, a keen interest in coding languages, digital synthesis and electronically assisted genre fluidity, which they've translated into some thoughtful, seriously crafted alternative music. I like them."

"This is a heavy album, but what would you expect from a recording utilising Tunefork Studios in Beirut as a conduit to remotely unite these artists during the Israeli aggression/response (delete as applicable)"

"despite my natural inclination towards the nonabrasive, palliative end of the ambient spectrum this is something of a Thai massage, a mildly unsettling but ultimately relaxing affair, and I like it a lot."

"They kick things off with the shimmering, lower frequency quivering, field recording hinting, gently cascading tones of the well named, "404 Error Page Not Found" - something I'm sure we can all relate to"

"The new album sees these studio neighbours embarking on another ethereal voyage of discovery to the land where ambient, new age, minimalism and classical meet"

"Herbert for his part dusts off his warmer, less provoctive box of studio tricks to accentuate his studio partners soulful tones and loose rhythmic work"

"ambient layers sweeping you along until the track encounters choppy, deep space funking synths and stuttering IDM for a moment of mind opening intensity."

whilst the dust is still settling on his album he's off on another trip with his sights set firmly on a galaxy far, far away, this is the stuff of Sci-Fi soundtrack dreams.

and the soundstage remains uncluttered and gently uplifting - more wellness imbuing than euphoric.

The album flirts shamelessly with multiple ambient adjacent genres, exploring a shadow world where belief system energy ripples collide and swirl.

the live recordings again snipped, shaped, twisted and turned into sonic collage suitable scraps ready for the mother of all production efforts

Scene set the kick drum arrives to get the crowd swaying and heads nodding, welcome Bzhezhinska's spiritual approach and cheer the less holy, dubbed out electronics.

“Circle of Dust” sprouts muted beats and even vaguely euphoric synth pads amongst the ambient dubiness, before the track morphs into the soul infused abstract machine haziness that they do better than most.

A late night hypnogogic atmosphere is promptly set, the perfect zone for the machine warped spectral voices to haunt.

Kicking off with some minimal yet fluid drums and bass - both from the man himself, that anchor the ambient atmospherics, the low gravity sax of Julien Fillion drifts in from a happy place

he’s also got a fondness for fusing pan-Latin sounds with star gazing electronica, and for this new LP on the reliable Shika Shika label he’s marshalled quite the ensemble, made them some sandwiches and packed them off on a cosmic cruise.

Sahko Recordings deserve a long service achievement award for outsider electronica over the decades and you have to admire their continued vision in getting these three boundary nudging artists to align.