"constructing a barrage of polyrhythmic percussion and layering the highly flammable rhythms with deviant dark room rave primed electronica and low frequency pressure,"

"Barely raising a decibel for the best part of two minutes, “Sei’s”introduction gives you ample time to savour every note, word and chirp before it slowly blooms into another thoughtful, blissful piano meditation."

It's a simple, seductive slice of dreamy ambient guitar, and further confirmation that wherever he is, ambient is what he does best.

marrying decades and melting hearts as the succinct production and pop purity drifts through the speakers, immediately leapfrogging her overproduced peers

"the drums tighten and snap, the vocals chopped like chicken by the razor edged synths and there's even some D&B nods for those that know"

"they geeked out and hit it off over music, a keen interest in coding languages, digital synthesis and electronically assisted genre fluidity, which they've translated into some thoughtful, seriously crafted alternative music. I like them."

"inspired by mid-1980s Japanese new age and ambient music, otherwise known as kankyō ongaku (environmental music), and less directly by vintage Italian experimental music"

a gentle, graceful and ever so lovely ambient neoclassical arrangement that should be on every introvert's contemplation playlist.

"It's as good a slice of oh so nice nu-soul as you'll hear this year. Now for that album."

"the boys get busy with some melancholic lone riding Americana, which then proceeds to flirt shamelessly between spaghetti western soundtrack and thinking rather than head banging rock."

" It's a beguiling, beautiful and far out slice of cosmic dream pop and boding very well for Myth of Tomorrow, her forthcoming album."

"It’s a painstakingly constructed soundscape with a childlike playfullness to it and a soothing method to its minutai laden madness"

Schalda singing the track's title is the first thing you'll hear upon hitting play, and once heard it will probably be the last thing you hear before you go to bed

"Kouhei naturally uses a more acoustic, percussive sound palette of mini-rattles, quick shakes and one hit wonders, the compositions are equally as far-out"

"slightly more urgent acoustic guitar work threads its way through the impeccably detailed psychoactive electronica that melts just above the song and then drips through every note and word."

" the crew have attained quite the spiritual/psychedelic (delete as applicable or choose both) soulful jazz-funk state."

"a back to the future synth stab, vinyl crackle, easy on the hips riddim, sounds echoing for eternity and some Nyabinghi style drum cuts all perfectly fused to soundtrack the after the after party"

"the horns in sweet unity repeating a pleasingly restrained refrain that synergises with the repeated minimal guitar motif that acts as the tracks ever present driving force"

"The album is a collaborative triumph that blurs the lines between song and soundscape, and might even be that rare thing, an ambient project that looks, as well as sounds good on a stage."

"This is maximum density krautrock, the winding psychedelic path laid at the start then suddenly straightens up and heads directly for the heart of the sun"

Jan then augments the repetition with some mournful yet graceful bowing, which paves the way for the subtlest of ambient electronic augmentation that bubbles beneath his brother's slowly building violin lament

" the album fittingly weaves its way along dusty, rosemary strewn, electroacoustic Andalusian paths, planting the seed of a new genre that we can only hope germinates in the region’s sun baked landscape. "

"the jam session meets soothing psyche rock meets shoegaze meets space rock of “orbital decay” as the boys once again lull you into a false sense of psychedelic security before testing your lysergic limits"

"this album, recorded between the Tunefork studio in Beirut and Tohme's home in the Lebanese mountains, is a perfect melting pot of rural, urban, traditional and innovative."