The album flirts shamelessly with multiple ambient adjacent genres, exploring a shadow world where belief system energy ripples collide and swirl.

the live recordings again snipped, shaped, twisted and turned into sonic collage suitable scraps ready for the mother of all production efforts

Scene set the kick drum arrives to get the crowd swaying and heads nodding, welcome Bzhezhinska's spiritual approach and cheer the less holy, dubbed out electronics.

“Circle of Dust” sprouts muted beats and even vaguely euphoric synth pads amongst the ambient dubiness, before the track morphs into the soul infused abstract machine haziness that they do better than most.

A late night hypnogogic atmosphere is promptly set, the perfect zone for the machine warped spectral voices to haunt.

Kicking off with some minimal yet fluid drums and bass - both from the man himself, that anchor the ambient atmospherics, the low gravity sax of Julien Fillion drifts in from a happy place

he’s also got a fondness for fusing pan-Latin sounds with star gazing electronica, and for this new LP on the reliable Shika Shika label he’s marshalled quite the ensemble, made them some sandwiches and packed them off on a cosmic cruise.

Sahko Recordings deserve a long service achievement award for outsider electronica over the decades and you have to admire their continued vision in getting these three boundary nudging artists to align.

Perhaps he’s mellowing with age, but those beats have been left in a club somewhere, replaced with a decidedly modern ambient sound, that still retains a cultured ethereal sensibility.

This is cultured, jazz licked minimal dance music for the head as well as the hips that will also look great on stage and I like it.

The EP heads back to Berlin for its parting shot with some dub technoid downtempo to test your speaker choice and make you contemplate buying a sub-woofer.

Just as you think he might be laying his hat in more folky terrain he's off on an electroacoustic, voyage full of precision placed and played micro-sounds that gives folktronica a cosmic Americana injection

her music is restless and hard to pin down, veering from minimal piano to club ready beats and all sorts of ambient experiments.

The track is a singular abstract jazz soundscape that sounds like a Sam Gendel and Joseph Shabason love child, and you shouldn't need much more encouragement to take a listen than that.

Hooky refrains and nu-disco basslines eschewed for precision sound design, higher sonic purpose and an altogether more astral approach

home for her genre ambiguous sonic deviance and technology enhanced hallucinations

Medieval abbess, theologian, mystic, polymath and 12th century composer Hildegard von Bingen, and highlight how timeless and useful her ideas and techniques still are

All is not lost but time is fast running out. The revolution will not be televised but there is strength in numbers and the music is better in the resistance.

The Slow Music Movement Radio Show is back after a seven month hiatus, and about time too....

It’s a whimsical collection of experimental guitar and a great introduction to this laid back, boundary reshaping guitarist and producer.

explores the power, & at the mid-way mark the brutality, of this natural force, before a calmer, kosmische second half takes you safely home

The restless sound design and jazz tickled production lend a questioning air to proceedings, sounds zipping in and out and buzzing around

into eclectic dub territory, augmenting the varied digi-dub riddims with some focussed and classic electronic sounds

the release is full of electronic purity, minimal purpose and blissful repetition.