"Elsewhere showing her vocal versatility by switching between tower block spitting and dream soul, both styles effortlessly riding the broken beats and late night mood."

marrying decades and melting hearts as the succinct production and pop purity drifts through the speakers, immediately leapfrogging her overproduced peers

"they geeked out and hit it off over music, a keen interest in coding languages, digital synthesis and electronically assisted genre fluidity, which they've translated into some thoughtful, seriously crafted alternative music. I like them."

" It's a beguiling, beautiful and far out slice of cosmic dream pop and boding very well for Myth of Tomorrow, her forthcoming album."

"slightly more urgent acoustic guitar work threads its way through the impeccably detailed psychoactive electronica that melts just above the song and then drips through every note and word."

"Lilyg's vocal which immediately weaves its way through the soundscape, gently swirling the ambient electronica in its tailwinds"

This is as serious a slice of alt-pop as you'll hear all year, honestly it's a really beautiful track - tune in.

On the remix Saltbreaker opts for a warmer, smoother approach by largely ditching the surface noise and the minimal piano lines, exchanging them for more comforting sonic swathes

It's a fine slice of liquid, D&B powered pop and another accomplished showcase for this restless producer

The latest single is a feel nice slice of disco pop, with a debt to the sparklier sounds of Studio 54 and sepia saturated 80's synth pop

It's a pleasantly microdosed, bittersweet, consummately crafted and timeless alt-pop gem that's been on repeat the last few days.

A simple, sombre rhythm underpins the sparkling, low key lysergic dirge, it's pulsing melancholy saved from depression by the lighter tones

tradition is briskly dispelled by some solid beats that anchor the ambient electronica, sparingly used string refrain and the undoubted star

There’s a real folkiness to proceedings with Phillips falsetto urged higher by the acoustic guitar picking and post modern piano tinkling

hints of his dance music deviance littering the low lit 80s and post punk nodding instrumentals

sees him heading further into soulful pop territory, but this is not autotuned, music by numbers fare, it's loose, live and swinging.

Devereaux runs absolute stylistic riot veering between bedroom pop, madcap synth abuse, weirdo outsiderism and jazz futurism

I rarely have time to look back in the rear view mirror whilst swerving recklessly through the music release avalanche, lest I get buried...

She appears to be heading in a more ethereal, soft edged experimental & hence TSMM friendly direction though, & my ears are now tingling.

There's nothing obviously AI that jumps out at you - whatever "obviously AI" sounds like, but it's certainly an accomplished slice of futuristic pop

pleasing takes on various 20th century song forms - drum machine preset powered bossa, orchestral soul and sunny West Coast psychedelic pop.

"far out field recordings which sweep her cathartic dream pop vocals through the speakers"