"It's a fine slice of cinematic neoclassical music that unusually stands on its own sonic feet, but I'm sure works wonders during the accompanying film scene"

"The album wears its Dr. Martin's, tight black jeans and leather jacket proudly, and shoegaze, post rock and gothic dirge weave through much of the album"

"the most spiritual jazz sound bath since Alice Coltrane’s ashram years. It’s a deep, meaningful listen, pull up a chair."

"The album is a collaborative triumph that blurs the lines between song and soundscape, and might even be that rare thing, an ambient project that looks, as well as sounds good on a stage."

"Far-out funkiness and some cosmic bump is the order of the day with "scampi strut" with Varian setting the keyboard controls for the heart of the sun"

"The new album sees these studio neighbours embarking on another ethereal voyage of discovery to the land where ambient, new age, minimalism and classical meet"

“Chrysanthemum” goes all suitably flower power, paving the way with petals for the title track’s creamy acid-folk

Knouse adopts a similar laidback approach to his guitar playing, ambling along seemingly lost in thought most of the time, occasionally upping the intensity and form to accentuate his vocals when he feels like it.

whilst Yoshida alternates his electric piano playing between cosmic textures and scurrying, urgent improvisation

It's an intimate and charming tune that makes you give thanks for the repeat button.

the only discernible thread being main man, Ray Monde’s distinctive, hushed vocals, that melt into wave after wave of psychedelic whimsy

"hit play on this astrally inclined voyage into psychedelic folk rock realms."

The track is trademark, full bodied, luxuriant electronica this time in a soundclash with some hypnotic minimalism