the release is full of electronic purity, minimal purpose and blissful repetition.

at times imagine Oriental mysticism decades from now, break new ground in electronic pointillism and forge new paths in drone science

they even had an orchestra and conductor on board, which helped create the perfect velvety bed for Cummings low key, intimate vocals

The recording is low key elemental with the sound of the wind sweeping over the sandtone cliffs, heath and woodlands also captured

shifting, variously melancholic, bittersweet and heart wrenching electroacoustic and often audio ambiguous sands

the old school rave tonic that the phone glued youth need to get off their arses and make sweating buckets on ecstasy great again.

you really need to check these dudes out if deep nu-disco, slo-mo soulful house and Balearic chuggers are your thing.

a constantly surprising selection of woozy wobblers, jazz licked head nodders, mushroom jazz, far out fusion, funktified groove...

If you need some music for late night urban wandering or late night tower block powwows then look no further.

this new release is a pleasingly mellow affair that hovers around the ambient kosmische end of the drug addled musical spectrum

All I know is that it flows like Yusef Lateef, swings like Elvin Jones, trips like Timothy Leary and searches like Albert Ayler.

The LP really runs the neoclassical gamut, from the graceful and genteel title track to the the folky dream-pop of the LP's closing track.

Vintage synths swirl, sometimes in epic fashion, loosening your grip on reality to help achieve a positive outcome.

The ambient universe is vast, but Samson has done an admirable job of mapping the warmer, solar blessed end of it in just six tracks.

If house music purity is your thing or you just need some chilled beats then look no further.

just kick back and sink into these beautifully crafted, cinematic, jazzy and funktified interpretations

It's one of the freshest jazz LPs you'll hear this year and I highly recommend you get with the Finnish space program.

Oh Brazil I love your music and your land. In 2006 I needed to decompress after nine years of London life and headed over to Colombia for...

There’s a real folkiness to proceedings with Phillips falsetto urged higher by the acoustic guitar picking and post modern piano tinkling

Their output has never strayed from the psychedelic funk arena

impeccable ambient electronics that provide the synthetic thermals to elevate their acoustic colleagues

the deep soulfulness and quality are very real

The three singles suggested the LP would be some sort of cosmic acid-folk affair, so I wasn’t anticipating this wild ride

The recording is a textural feat with notes appearing in glorious isolation, or exquisite refrains repeated to perfection