The track is a singular abstract jazz soundscape that sounds like a Sam Gendel and Joseph Shabason love child, and you shouldn't need much more encouragement to take a listen than that.

Whether it’s her original compositions or tributes to less heralded greats, Glass just digs that bit deeper and twists those familiar sounds that bit more

There's such a purity to her vocal delivery, as she regales us with an ancient tale of a mountain king and young farm girl, that you are immediately transported back centuries to simpler, pagan times, albeit with a kick arse jazz soundtrack.

Medieval abbess, theologian, mystic, polymath and 12th century composer Hildegard von Bingen, and highlight how timeless and useful her ideas and techniques still are

It's a fierce, impassioned tune that takes no prisoners and exactly the sort of militant, saying something jazz that we need to wake people up to how f*^ked the world is

The Slow Music Movement Radio Show is back after a seven month hiatus, and about time too....

whilst Yoshida alternates his electric piano playing between cosmic textures and scurrying, urgent improvisation

The real stand out tune though is, "Freeform" which enlists the seductive spoken words of Sydney Lowell

he decamped to London to get a different perspective on the recordings and the result is this transcendent, cosmic electroacoustic fusion.

Whether it's her musing or perfectly judged scatting, she just digs that bit deeper and worries less what everyone else sounds like.

wait for the hazy, shoegazy slightly chillier distortion to add a welcome, atmospheric dissonance to the track's inherent sweetness

A spiritual sax intro plumped on an organ cushion prises open your doors of perception before the electric piano starts to twinkle its light

they flirt with borderline muzak in places, maintain a suave ambient jazz vibe & touching “simple tenderness”

slowly but surely the free flowing jazz licks add some welcome consciousness raising thermals to help your thoughts ascend to higher plains

The restless sound design and jazz tickled production lend a questioning air to proceedings, sounds zipping in and out and buzzing around

a constantly surprising selection of woozy wobblers, jazz licked head nodders, mushroom jazz, far out fusion, funktified groove...

a percussive skeleton on which he hangs ambient swathes and microdosed machine noise that transports the listener

The first three albums were all impeccably selected, avoiding the jazz compilation cliches and this is more of the same black belt curating.

adding some smooth jazz horn emotion to the shimmering ambience and undulating synth pads that chart unhurried course

All I know is that it flows like Yusef Lateef, swings like Elvin Jones, trips like Timothy Leary and searches like Albert Ayler.

just kick back and sink into these beautifully crafted, cinematic, jazzy and funktified interpretations

It's one of the freshest jazz LPs you'll hear this year and I highly recommend you get with the Finnish space program.

The LP is nothing less than sonic shock and awe, the tracks threaded with metal guitar

The three singles suggested the LP would be some sort of cosmic acid-folk affair, so I wasn’t anticipating this wild ride