"injects some pre-roots reggae perkiness to lighten the dub techno gloom, highlighting Dublin’s deep appreciation of Jamaican musical history."

The album is full of Nu-Brazilian delights.

"Outsider lo-fi ambient pop is the new Taylor Swift, get involved."

"It’s a singular slice of intimate, ambient pop meets singer songwriter craft"

"The album starts in fine ambient fashion, easy drones rising and falling like a summer tide as waves of static fold into the swell"

"it always amazes me how such cohesive arrangements can be collaged from such shattered sonics"

"There’s the shimmering transcendence of “Lost to Follow”, the Cafe del Mar like mantric looping and politely insistent guitar motifs on “Collapsing the Vanguard"

"musings on vileness that espouse kindness and a philosophical finger picked approach to the dissolution of decency, tolerance, understanding, truth and democracy"

" I’ve had so many WTF moments from the label over the years it would be remiss not to bring the imprint to your attention."

"there is an unpolished candour throughout the album, the antithesis of LA’s studio botox, photoshopped press shots and social media neediness"

"late night, big city tower block electronica drenched in pleasing distortion and static, coupled with a flickering fluorescent lit ambience"

"balances Dalt’s stubborn experimentalism with a more accessible pop sheen, but ultimately it’s a triumph for perseverance and time honing her studio and song craft"

"worked on stripping down the sound without sacrificing the message or artistic vision, and only gone and made a genuine alt-pop album"

"Lovely all-rounder album on a mellow, lo-fi, slacker-balearic tip."

"this album will satiate the outsider demands of old heads and provide a gateway to the counter cultural sounds of fifty or sixty years ago for a new generation"

"The playing is pleasingly minimal and melodically ambiguous, always stopping just short of tired old tropes or overly familiar progressions"

"constructing a barrage of polyrhythmic percussion and layering the highly flammable rhythms with deviant dark room rave primed electronica and low frequency pressure,"

"inspired by mid-1980s Japanese new age and ambient music, otherwise known as kankyō ongaku (environmental music), and less directly by vintage Italian experimental music"

a gentle, graceful and ever so lovely ambient neoclassical arrangement that should be on every introvert's contemplation playlist.

"It’s a painstakingly constructed soundscape with a childlike playfullness to it and a soothing method to its minutai laden madness"

"Kouhei naturally uses a more acoustic, percussive sound palette of mini-rattles, quick shakes and one hit wonders, the compositions are equally as far-out"

"the horns in sweet unity repeating a pleasingly restrained refrain that synergises with the repeated minimal guitar motif that acts as the tracks ever present driving force"

"The album is a collaborative triumph that blurs the lines between song and soundscape, and might even be that rare thing, an ambient project that looks, as well as sounds good on a stage."

" the album fittingly weaves its way along dusty, rosemary strewn, electroacoustic Andalusian paths, planting the seed of a new genre that we can only hope germinates in the region’s sun baked landscape. "