THE SLOW MUSIC MOVEMENT​
  • Home
  • Music Tips
  • Radio/DJ
  • Record Label / Publishing
  • Blog
  • Slow Music for Slow Brands
  • About
  • Contact
  • Home
  • Music Tips
  • Radio/DJ
  • Record Label / Publishing
  • Blog
  • Slow Music for Slow Brands
  • About
  • Contact
Search by typing & pressing enter

YOUR CART

The Slow Music Movement Blog
Occasionally something comes along that inspires us to put pen to paper. Maybe some great audio, an inspirational character, record label or event that we feel the need to shout about a little bit? We also put our daily recommendations here for the RSS feed crew.

21/2/2020 0 Comments

The Tabansi Studio Band - Wakar Alhazai/Mus'en Sofoa (BBE Music)

WHAT THE COVER LOOKS LIKE:
Picture

WHAT WE SAY?

Got all the Fela Kuti Lps? Had enough of the largely pale modern imitations & not suffering from tech induced ADHD? Then I'd suggest checking out these epic, deeper than deep, mythical Afrobeat cuts from The Tabansi Studio Band kindly resuscitated by BBE Music's equally epic African music reissue mission.
Vertical Divider
WHAT YOUR EARS SAY:

WHAT THE RELEASE NOTES SAY:

Tabansi Studio Band – Wakar Alhazai Kano & Mus’En Sofua: four incredible slices of almost- undiscovered late-70s/early 80s Afrobeat magic, but not Fela’s Yoruba/Pidgin Afrobeat.

This is Igbo and Hausa Afrobeat- two very different and rarely heard styles. For the first time anywhere, BBE is proud to reissue back to back two LPs that are so elusive that many Afro heads doubted their very existence until now.

The beats are laid down by the seven legendary Martins Brothers – of ‘Money’ fame- whilst vocals are courtesy of a multi-lingual Igbo legend, Prof. Goddy Ezike, one of the most extraordinary voices out of Africa, up there with Youssou N’Dour and Salif Keita, whose half-century career has, like fine wine, simply improved his voice.

Wakar Alhazai Kano and Lokoci Azumi Ta Wuca (tracks 1 and 2) draw on Northern Hausa music, with its Islamic inflections and skipping 12/8 time signatures more typical of the string and wind-based instrumentation of Kano and the broader sub-Saharan musical palette.

Kama Sofos and Aka Ji Ego Ga Anu Nwam (tracks 3 and 4) are sung in Igbo, with all the percussive wonders that Igbo culture has to offer, filtered through a jazzy Afrobeat improvisational spectrum.
Never before. Never again. New Afrobeats, in old bottles.


0 Comments



Leave a Reply.

    OUR MISSION STATEMENT GOES SOMETHING LIKE THIS

    Lazy Days, Hazy Moments & Dancing to a Slower Groove

    Archives

    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    April 2017

    Categories

    All

    RSS Feed

Lazy Days, Hazy Moments & Dancing To a Slower Groove