Morgan Szymanski and Tommy Perman - Music for the Moon and the Trees (Blackford Hill)

What Your Ears Say & The Cover Looks Like

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What We Say

Classical guitarist Morgan Szymanski hooked up with childhood friend & experimental musician Tommy Perman in a Scottish woodland cottage & crafted this accessibly avant-garde & rather striking slice of melodic magical music realism, full of found sounds, playful percussion & sonic ingenuity for Blackford Hill.

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What The Release Notes Say

'Music for the Moon and the Trees' by classical guitarist Morgan Szymanski and experimental musician Tommy Perman is the result of a long-held wish that the two childhood friends would get the chance to create an album together. It’s a meditative album; a gentle thing of serene beauty and quiet innovation. 

Taking advantage of a break in the Mexico-based guitarist’s busy touring schedule, the duo took to a woodland cottage in rural Scotland to record the album over five days in midsummer 2019, using solar and wind power generated entirely on-site. 

Arriving from Venice, Morgan joined Tommy in Perthshire for a night of listening to music and chatting by the light of a fire and the full moon about the album they might create together. Tommy shared Japanese electronic musician Isao Tomita’s 1970s electronic reworking of 'Clair De Lune'. Both Morgan and Tommy’s father share a birthday with Claude Debussy, and these coincidences persuaded them to quote from 'Clair De Lune' in the recordings they made throughout the week. 

All of the sounds heard on the album were recorded in the woodland surrounding the cottage. There was a childlike sense of wonder as the duo recorded the sounds of the trees, birds, bats and an assortment of found percussion. Convolution reverbs were created by snapping twigs and pinging spruce branches. Much of the music was improvised with live single-take performances by Morgan combined with Tommy’s computer generative improvisations. 

Morgan had just collected a new guitar made for him by Italian master luthier Luciano Lovadina. Luciano chooses the wood for his guitars by walking into the forest when the moon is full and listening to the sound of the trees. He selects the most resonant Italian red spruce, which is felled and seasoned for a year. The guitar made for Morgan is particularly resonant, which can be heard in the rich harmonics on the album. 

They returned to their busy lives at the end of the week, and Tommy worked on producing the recordings over the next nine months – finishing it during the UK’s first coronavirus lockdown. 

'Music for the Moon and the Trees' is an album shaped as much by their changing environment as their fusion of talents, it’s an understated record with immense depth and delicacy. It’s a rich tribute to the many powerful forces at play and conjures up both the calm and the uncanny, inviting whoever listens to it to press pause on the outside world for a brief spell.

CREDITS
​Sleeve notes by Claire Sawers 

Cover illustration by Angie Lewin 

Mastered by Sam Annand

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