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The Slow Music Movement Blog

​Mostly we put our daily recommendations here for the blog readers among you, although occasionally we go longform.
Reading about music is a bit like looking at pictures of food - not nearly half as much fun as getting involved, so we scribble a brief intro to hopefully whet your appetite but you're better off just hitting play. Not very "slow" I know but there's a lot of music to check these days & hopefully you'll find the recommendations a handy filter.
​Trust your ears, not opinions.

19/2/2022 0 Comments

Lifted - 3 (Future Times)

What Your Ears Say & The Cover Looks Like


What We Say

The Future Times label head honcho Max D, Matt Papich & an A-list of leftfield  peers band together to distil all their esoteric leanings into one woozy, whimsical wander through jazz fusion, back to the future electronica & ether misted New Age lands. Weird up your weekend. You deserve it.  

What The Release Notes Say

Lifted return with album 3 following the incremental ‘countdown’ eps released during 2020 and 2021. 

3 sees the core Lifted duo of Max D & Matt Papich unravel their visions of excess into their most divergent and wide-eyed collection yet. In its physical form It is beautifully illustrated with a suite of gently surreal and nuanced paintings by Jordan Kasey (yes, related to Martin Kasey, saxophonist on 2019’s LP 2) and packaged for a seamless listen. 

First scene ‘Chefs’ places us squarely off-center, landing in a cinematic environment that feels a bit like steadycam Luis Bunuel , wine bottle whoo-ing and horn fanfare. Its music without a hard surface, defined more by its fluidity and characters, found sounds and performed dialogue. “Cymbecko” shifts gears into blissful ambient dub, and paves the way for a Luke Stewart led excursion into the uncanny that is ‘Trip Tongue’. Stewart’s upright bass never stops seeking, while Jordan GCZs Rhodes barely touches down before lifting back up into and out of Jacob Long’s (Earthen Sea, Esau) liquid tone sheets. An outside world of percussion accompanies. 

The mood morphs and the scene cuts in hard with “Born in the Roof”, slacker techno that grows shimmering parts, Perlon for potheads. Voiceover slacks right with it, a half-convo caught in the billowing chorus of fx. “Macarena” snaps things into focus, working almost like an open window to airing out the heady fog. Simplicity in the vignette. 

After “Mecha Perfume & Variety”, “Snow Dancing” reignites the drama, with burning guitar by Jonny Nash taking a plucky and sliding lead over wildly fused drums by Max D, we get a test of new depths for Lifted with the somber and exuberant “Whipped Cream”. Crackling like a radio but with modern propulsion in the form of richly evocative pads courtesy of Motion Graphics, it sounds like a dinner, a space trip, a storyboard, a scene, threaded together in bouncing, oblique ways. 

"Bobby V" drops refreshingly, timed like a credit roll and leaving an afterglow that feels more tuned-in than ever. 

Players on this album include: Luke Stewart (Irreversible Entanglements, Blacks Myths), Jeremy Hyman, Jonny Nash (Melody As Truth), Jordan GCZ, Matt Papich, Josh Levi, Mezey, Hirama, Dawit Eklund (1432 R), Motion Graphics, Max D, Jacob Long (Earthen Sea, Esau) 

Cover painting, "Double Moon" by Jordan Kasey 
CD layout by Olivia Tucker
 ​
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