Euglossine - Some Kind Of Forever (Sound As Language)

What Your Ears Say & The Cover Looks LIke

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What We Say

Taking a trip down jazz fusion memory lane with a few friends, Euglossine lays down the smooth grooving, laid back lounge vibes for Sound As Language which should ease you into the week nicely and be your easy listening friend through life's ups and downs.

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What The Release Notes Say

Euglossine is the solo project of multi-instrumentalist and composer Tristan Whitehill. With a catalog of over fifteen diverse releases spanning a decade on labels like Orange Milk, Hausu Mountain, and Phinery, Euglossine's discography moves ambitiously across genre and time. Some Kind Of Forever is Euglossine's brand new full-length, out March 2022 on sound as language. Where previous Euglossine releases were a complex balance of jazz fusion, sound design, and computer music, Some Kind Of Forever sees the artist pulling back and searching for simplicity. On this album, Whitehill immerses himself in the light and delicate. Some Kind Of Forever is Whitehill's most refined and restrained work to date. Influenced by the early ECM catalog, decades of groovy/weird library music, and domestic golden-hued psychedelia, Some Kind Of Forever's subtle, meditative jazz floats by ever so softly. The album's rich and open instrumentals are pristinely constructed yet always playful. Whitehill moves deliberately as he carefully peels back the layers to create something magical and tender. Some Kind Of Forever is an instant timeless classic and the warm, gentle breeze we all need right now.
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CREDITS
Composed Produced and Mixed by Tristan Whitehill 
Mastered by Angel Marcloid at Angel Hair Audio 
Art by Jeanine Tatlock 

Saxophone on “Mod12” by Colin Alexander Fisher 
Fretless Bass on “Grandfather Clock” by Nicholas Mendez 
Trumpet on “Tiny Cat” by Gary Tatlock 
Flowers in the Wind performed by Jack and Robert Edmondson, Kane Pour, and Nicholas Mendez 
Harmony Synthesizers on “Some Kind of Forever” by Pearl and the Oysters