"late night, big city tower block electronica drenched in pleasing distortion and static, coupled with a flickering fluorescent lit ambience"

"balances Dalt’s stubborn experimentalism with a more accessible pop sheen, but ultimately it’s a triumph for perseverance and time honing her studio and song craft"

"worked on stripping down the sound without sacrificing the message or artistic vision, and only gone and made a genuine alt-pop album"

"Lovely all-rounder album on a mellow, lo-fi, slacker-balearic tip."

"this album will satiate the outsider demands of old heads and provide a gateway to the counter cultural sounds of fifty or sixty years ago for a new generation"

"The playing is pleasingly minimal and melodically ambiguous, always stopping just short of tired old tropes or overly familiar progressions"

"constructing a barrage of polyrhythmic percussion and layering the highly flammable rhythms with deviant dark room rave primed electronica and low frequency pressure,"

"inspired by mid-1980s Japanese new age and ambient music, otherwise known as kankyō ongaku (environmental music), and less directly by vintage Italian experimental music"

a gentle, graceful and ever so lovely ambient neoclassical arrangement that should be on every introvert's contemplation playlist.

"It’s a painstakingly constructed soundscape with a childlike playfullness to it and a soothing method to its minutai laden madness"

"Kouhei naturally uses a more acoustic, percussive sound palette of mini-rattles, quick shakes and one hit wonders, the compositions are equally as far-out"

"the horns in sweet unity repeating a pleasingly restrained refrain that synergises with the repeated minimal guitar motif that acts as the tracks ever present driving force"

"The album is a collaborative triumph that blurs the lines between song and soundscape, and might even be that rare thing, an ambient project that looks, as well as sounds good on a stage."

" the album fittingly weaves its way along dusty, rosemary strewn, electroacoustic Andalusian paths, planting the seed of a new genre that we can only hope germinates in the region’s sun baked landscape. "

"the jam session meets soothing psyche rock meets shoegaze meets space rock of “orbital decay” as the boys once again lull you into a false sense of psychedelic security before testing your lysergic limits"

"this album, recorded between the Tunefork studio in Beirut and Tohme's home in the Lebanese mountains, is a perfect melting pot of rural, urban, traditional and innovative."

"This is a heavy album, but what would you expect from a recording utilising Tunefork Studios in Beirut as a conduit to remotely unite these artists during the Israeli aggression/response (delete as applicable)"

"Far-out funkiness and some cosmic bump is the order of the day with "scampi strut" with Varian setting the keyboard controls for the heart of the sun"

“Last Night’s Dub” sees another heavy riddim test your speakers, and trust me this album won’t be kind to lower quality hi-fi gear

"despite my natural inclination towards the nonabrasive, palliative end of the ambient spectrum this is something of a Thai massage, a mildly unsettling but ultimately relaxing affair, and I like it a lot."

"The new album sees these studio neighbours embarking on another ethereal voyage of discovery to the land where ambient, new age, minimalism and classical meet"

"artfully fusing the sounds of his harmonica, both Indian and Western slide guitars and Iranian folk music."

!This album is perfect start of the day music, just as well really as I’m writing about it at 5.45am."

"If you want a good natured fusion of throwback chill-out, with a cosmic vibe and a psychedelic twist that will sound great over the summer then look no further."