Khyoot seemingly takes its inspiration from the genteel, somewhat stoned folk sounds of 1960’s England.

This is not just any old ambient folk LP, this is one of those by which others are judged.

Well Remorae, where once their fusion could occasionally feel a touch unbalanced, have absolutely nailed it this time around.

"hit play on this astrally inclined voyage into psychedelic folk rock realms."

"on V​ė​jula they’ve dialled up the electronic density and increased the cosmic intensity to create an ambient kosmische folk wonderland"

"find a moment to focus if you can on its folkloric, sometimes classical, often musique concrète, yet always beguiling sounds."

a hopeful uplifting tune that showcases his intricate picking, propelled by warm, insistent bass notes

his wonderfully soft edged, disarming vocals telling a well articulated tale of distance friendships, their difficulties and the joy of those reunions

They have an enviably consistent line in swampy Americana, often with a toad licked edged that defies easy categorisation

If you know Tuttle then you’re already aware of his eminently listenable banjotronic experimentalism and ambient folk boundary nudging.

Guinevere's sweet vocals coast through the speakers on a dawn breeze, adding some freshness to the politely insistent guitar arpeggios

SITW have driven folk tradition through the centuries into the electronic now and decided to let punk hitch a ride along the way.

some freak folk rockiness, mazy shoegazyness and dream pop seamlessly morph into the mix to really elevate this LP over her peers.

earnest AOR and stoned singer songwriter vocals, vintage synthesizer flourishes, soulful undertones and cosmic country vibes.

where he captures the sounds of the local landscape to add a bucolic dimension to his soft edged folk sound.

The strings dig deep into ancient lore & nature's essence, whilst the somehow complimentary electronic frequencies voyage up and out