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The Slow Music Movement Blog

​Mostly we put our daily recommendations here for the blog readers among you, although occasionally we go longform.
Reading about music is a bit like looking at pictures of food - not nearly half as much fun as getting involved, so we scribble a brief intro to hopefully whet your appetite but you're better off just hitting play. Not very "slow" I know but there's a lot of music to check these days & hopefully you'll find the recommendations a handy filter.
​Trust your ears, not opinions.

12/12/2019 0 Comments

Béliz - Mémoires (Beaumonde)

WHAT THE COVER LOOKS LIKE:
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WHAT WE SAY:
More great work from BeauMonde in bringing the wonderful sounds of Guadeloupe to a wider audience. Here the percussive ritual dance sounds of Gwo Ka fuse perfectly with heavenly harp strains as Edmond Krater's vocals ooze Caribbean soul. Inspired global fusion.

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WHAT YOUR EARS SAY:

WHAT THE PRESS RELEASE SAYS:

A journey to far outlands: this is exactly what one can feel when listening to Béliz.
Entitled Mémoires, the album from the band Béliz, explores new territories where the Guadeloupean musical tradition meets the harmonic universe of the harp.
Béliz is the dialogue between the world of classical harpist Anne Bacqueyrisse, percussionist Olivier Maurières and multi-instrumentalist and singer Edmony Krater, fervent supporter of the Gwo Ka, the ancestral musical tradition coming from Guadeloupe.

Founder of the band Zepiss, once a member of Robert Oumaou's collective Gwakasonné, Edmony Krater has always had the will to open the Ka to other cultures and to incorporate new sounds.
Indeed, with Ti Jan Pou Vélo, his tribute album in the memory of Marcel Lollia known as Vélo (one of the greatest drummers of Guadeloupe), released in 1987, Edmony Krater brilliantly mixed jazz-fusion, Occitan folklore, synthesizers with the distinctive Ka rhythms.

The meeting of Anne Bacqueyrisse, Olivier Maurières and Edmony Krater at the Music Academy of Montauban, gave birth to Béliz.
In 2009 the group of three musicians-teachers, under the impulse of one of their pupils, decided to record in studio their project, Mémoires.

Béliz, with its innovative and singular artistic approach, is a true invitation to travel. The title Arawak É Karayib is a vibrant tribute to the native west indian people. Gwadloup - an acoustic version of the song already featured on the album Ti Jan Pou Vélo - is an ode to Edmony’s beloved island. Natibel, an hymn to Nature - another cover from the Zepiss band - makes sense here in a minimalist version.

A true fusional object, Béliz moves us to new horizons, both imaginary and poetic.

Edmony Krater - Percussions, Ka, Chant, Composition
Anne Bacqueyrisse - Harp, Composition
Olivier Maurières - Percussions
 


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