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Review: UGI & Jaan - Quaternity II (Wic) [Post Punk]

Writer: The Slow Music Movement
The Slow Music Movement
3 minutes ago
2 min read
The cover for UGI & Jaan's Quaternity II EP, showing a collage of planets, a central eye, hand, ear, and cutout figures against a black space background

Erik Harbers aka UGI and Gerhardt Heusinkveld aka Jaan work well together. They hit the ground running two years ago and haven't stopped since. Both from Holland, Harbers is a bass player with a fondness for the moodier, lower-lit, post-punkier-funkier end of the musical spectrum. Heusinkveld is an equally uncompromising, multi-disciplinary artist, man of monikers, not to mention a writer with a collage fetish - just check that artwork, as well as a song-writing guitarist, percussionist, band member and solo artist. Together they make a wonderful racket, and their music seems to have found a good home on the outsider championing Wic Recordings from their home country.


A collage made from the faces of Erik Harbers aka UGI and Gerhardt Heusinkveld aka Jaan  black-and-white

Apparently, they call their music 'eclectric collage boogie', which is as good as anything, I guess, but doesn't adequately convey the urgency and energy of their transmissions. Perhaps it's an age thing, something I can relate to, but there's a real eighties post-punk attitude, and yes anger, permeating their music. It's the sort of man-machine music that you want to see live, and will probably end up coming home from with a couple of unexpected bruises and smelling of sweat and beer; surely a sign of a good night out?


The pertinently entitled 'When A Robot Writes A Play' is an edgy, electroid, slow-rocking, future-dubstep breakdown nodding soundtrack for our near-future/present (delete as applicable) AI fuelled, surveillance-capitalism blighted existences. Not quite a f*^k you, but full of simmering resentment, and a wake-up call to the currently hypnotised, phone gazing zombie massive that humanity, not just culture is in trouble. It's back to the post-punk indie-rock eighties heyday on 'Square Mirror', with its moshpit-starting bassline, heavy guitars and swirling electronics, although I can't help think that the duo need a vocalist rather than spoken word samples. Next up is 'Too Much Moaning' a more stripped back, vigorous head nodder with a slight industrial clank and no-wave nihilism to it. I'm not quite sure what 'Neerpelt Nightlife' refers to, but out of curiosity I'd put on my black jeans and t-shirt and have a couple of beers there on a weekend, if its Prodigy-like groove and edgy guitars are anything to go by. I bet you'd meet some characters there.


For more far-out post-punk mutations you could do a lot worse than check out Snapped Ankles - Hard Times, Furious Dancing album, and pretty much everything they've every done.







Playlist Companion

Find UGI & Jaan in the End of Week Freak Playlist.



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