This LP came out five months ago and I’m not sure how I discovered it or who any of the players are. I also have no intention of finding out and sharing that information today as I scurry to recommend as much music as possible, but I am now definitely following the trio from afar and with interest.
The LP stems from a recording session without a bass player which encouraged Hennig to adopt a more textural percussive approach, Harris to get his atmospheric guitar pedals out and Baldwin to swirl with, rather than pierce these lighter than air exchanges with his trumpet. Well until the last track, when all restraint is thrown out of the studio window and they let rip.
(This post first appeared in TSMM's newsletter)
Playlist Companion:
Find a track from the LP and other great forward looking jazz cuts from the cream of the modern underground in the Slow Jazz Playlist.
Yorumlar